Of Bags and Buckles

If you've watched the promotional video I made for my book, Fresh Quilting: Fearless Color, Design, and Inspiration, you've heard me describe the projects in this book as items I've wanted to design for a long time. Many of the projects are the result of ideas I've carried around for a long time. For instance I mentioned that the kitchen curtain that's featured in the book is a concept I've long wanted to play with. I'll often see something in a store or in a magazine and think it's interesting and then something about will just stick with me. That's the story behind one of the projects that was originally slated for the book, but, due to space constraints and the complexity of the project just didn't make the final cut.

 The impetus for this book bag was my desire to make a bag that had a bona fide, working buckle. This bag is all about that 3" buckle. Years ago I was at Hill Country Weavers and I saw a knitted bag with buckle on the cover of a Rowan magazine. I liked the bag, but I LOVED the buckle. What's more, I loved the concept of a bag with a buckle. I know that seems like a little detail to hone in on, but I put it in the back of my mind that one day I'd design a bag with a buckle.

The rest of the bag: the quilted interior and exterior, the placement of the flap, the binding encasing both the quilted flap and the interior seams, and all of the other details I had worked out in this previous design.

 But this was where I decided to add my buckle.
Interestingly, the bag that is in the book also has a design feature that I had in mind for years.

 This is my image of the Four Points Tote taken before the bag was sent off to Interweave Press last winter. The handles, however, were given to me by a friend several years back. At the time she was cleaning out her aged mother's house and found these wooden handles. She didn't know anything about them, but thought I could put them to good use. I set them on a shelf and there they sat and gathered dust. As I was planning the patchwork for the tote, I realized that I wanted to use those handles in the design. I checked to make sure they were a standard size so that folks could recreate the pattern without having to dig in some obscure place for similar handles and, once reassured, added them to my tote.

Now I have both bags in my home. The tote I've set aside until book promotion is over, but the buckled bag is already getting daily use. And, like a little kid, I am so loving buckling and unbuckling my bag.

Wanted: Guinea Pigs

Not the real kind. I actually have two Chinchillas that live in my house so I don't need any more rodents in my life. I mean sewing guinea pigs.
I'm working on a new quilt pattern and I'd like to ask a few of you skilled sewers to review the pattern for me and, if you'd like, sew a version of the quilt. You don't have to sew up the pattern to review it, just make sure that the directions make sense.

In return for your hard work and sage advice, you'll get the first draft PDF of the pattern and, eventually, the final draft PDF for free.

 I should warn you that this is a pretty large quilt measuring 69" x 69", so those who might want to sew the top as part of the review process should be aware of that.

 If you're interested, please email me directly at malka@stitchindye.com for additional details.

Edited to add: Wow! Eager beavers, I means guinea pigs. I have all the testers I need. Thanks everyone!

Two-fold Purpose

Obviously part of the focus of today's post is to announce the winner of the Quilt Scene magazine. Before I do that I want to reveal my very special method for picking a winner. my technique involves sitting in my favorite chair an calling out to one of my girls. Sometimes the one being called doesn't hear me or is, in fact, not home. They are teenagers after all and there have been a few times when after calling their name repeatedly, I set out in search for one only to discover that she's not home. Thank goodness they have phones and I know how to text.
Anyway, I usually continue to call until someone, anyone, responds. At that point I ask them to pick a number based on the number of comments I've received. They don't even know or ask why I want them to select a number between 1 and 131, they just pick one. It couldn't be anymore random than that. Today's number, courtesy of my sweet Rachel, is 113.
That makes Mathea our winner. She said:

The magazine looks wonderful, and I love your quilt, but oh, what I'd give to have real sunlight in November.. :-D

Congratulations! Please email me at malka@stitchindye.com with your mailing address and I will send the magazine super quick-like. Unfortunately USPS doesn't allow me to ship sunlight, so I can't help you with that.

My second purpose is to pass on a bit of quilt inspiration I happened to photograph at Quilt Festival the other week. As I was heading back to my car, I noticed two small buildings across the street from the George R. Brown Convention center.

 Both these little structures are located on a bit of park-like space.  They're very small, so I'm assuming that they're purpose has something to do with controlling the lights or some other technical aspect of the surrounding structures. If someone sees these images and knows what their point is, please chime in because I am curious. Anyway, they've been adorned with the blocks of warm and cool colors.
True confession: when I took the pictures I thought the buildings had been placed there exclusively for Festival. I'm a little embarrassed to admit that, but I figure it's just between you and me.

What does it mean...

when you find a package on your porch last night, realize it's from your publisher, but decide you're going to wait until the next day to open it, so you can take pictures of the contents as they emerge from the box?

And what does it mean when you're taking pictures and then notice the cool way the light is playing on the surface of the box and quilt and floor,

so you take one picture

 and then another

and then some more pictures of what is essentially the reflection of the slats of your dining room chairs? I have even more pictures, but people, even I have some kind of filter.

And what does it mean when the point of this post was not to show off pictures of sunlight or chair slats or even quilts, but to giveaway a copy of this year's Quilt Scene magazine and I'm this far in and only now getting to it?

 Answers. I'm going to need them. And your comments. You're going to want to leave them because this is a magazine worth owning. You know who has patterns in this magazine? How about Elizabeth Hartman.

and Ashley Newcomb,

 and Denyse Schmidt.

 

In all honesty, when I held the magazine, I actually thought it was heavy. There are loads of wonderful projects, so leave a comment. I'll pick a winner on Sunday night and announce him/her on Monday.

Good luck and have a fabulous weekend!

                                       

 

Slow and Steady

That's what wins the race, right?
It better be because that's the pace I seem to be working at when it comes to this quilt.
Here's today's progress shot:

My deadline is November 30, actually the 29th because I already made an appointment with my long arm machine buddy to quilt it. That actually helps because nothing gets my butt in gear like a deadline.
In the meantime, I'm going to be quilting another large top next week and writing up a new quilt pattern. I'm super stoked about this design and I hope you all will be too. Also, I'm slowly adding samples that I've made for various magazines and books to my Etsy store. Yesterday, I uploaded these:

 Tomorrow, I've got at least one more pillow to add and maybe some potholders and a Strips and Bricks quilt. Check Ye Olde Etsy Shoppe if you think you might be interested.

Around the Block this Week

Last week I previewed some of the projects from my soon-to-be-released book, one of which was this quilt. To prove my point that I'm almost never completely done with a design, I'm posting these images.

A customer recently asked me to recreate this quilt. It's basically the Nate quilt but constructed primarily out of squares that have been dyed to look concentric rather than being pieced concentrically. I've done a lot of the dyeing and am ready to start sewing. The blocks measure about 20" square though they're pieced improvisationally so that's a little iffy. The final quilt is supposed to measure about 85" x 91", so I'm figuring about twenty blocks with a maybe an extra row or two should get me close to the desired size.
I thought it would be fun and helpful(for me) to focus this week on posting newly made blocks. Hopefully that will give me incentive to work steadily and avoid distraction as well as reassure me that progress is in fact being made.
And, in hopes of making it fun for you as well, I thought I'd end the parade of blocks this week on Friday with a little giveaway. So, check in to see new blocks, some explanation of the process, and hopefully watch this quilt top get closer to completion.
This is where I am so far:

 Here's hoping they'll be quite a few more blocks on that wall by week's end.

Book Preview #4

I'm a little torn about what I want to feature in today's preview. On the one hand I'd like to focus on one of the non-quilt projects because there are 14 of them and 6 quilts. On the other hand, there is one quilt I especially want to mention, partly because I'm pretty fond of it and partly because it's going to be the focus of my demo tomorrow during my Open Studios session at Quilt Festival in Houston.
The thing that's tipping it for the quilt is the fact that I rushed to make an alternate block to demonstrate tomorrow and I'll be damned if I'm not going to show it off in this space.
OK. Today's featured project is called The Modern Baby Quilt.

 If memory serves me this was the first project I designed and finished for the book. Truth be told, that's the way I work, one project at a time from start to finish. I don't like to have multiple things going simultaneously.
A few weeks ago, I posted about this quilt and told you all that it was a variation of a quilt from my book. See, I wasn't kidding.

I love making baby quilts. They're so gratifying because they're small and a wonderful opportunity to be playful, both in terms of fabric selection and construction.

I really wanted this quilt to be fun to piece and for me that means it's a wee bit challenging. There are plenty of projects both in my book and in others that are fabulous for a newbie, but sometimes I feel like there's not that much out there for someone who's got a few quilts under their belt. This quilt uses a technique called Y piecing to machine sew the partial and whole hexagon sections. It's an incredibly useful little technique and can be used to machine stitch other odd shapes. Y piecing does require that you stop stitching some seams 1/4" short of a corner and that can be disconcerting. A part of me really wanted every millimeter of my seams sewn together, but a few deep breaths and watching the top come together and stay that way despite the unstitched corners, reassured me that Y piecing was pretty darn cool.
So, tomorrow I'm going to be demonstrating this cute little trick using the templates from the book. I've made a couple of variations from the original.

 Rather than use one fabric for the center hexagon, I sewed it out of 6, string pieced triangles. I made a template for the triangle, but added a bit too much seam allowance. No matter, after I sewed the triangles into a hexagon, I overlaid the one of the outer hexagons and trimmed it to size. You gotta roll with the punches. I limited the color palette to orange for the "flower" and gray for the background, but used a variety of fabrics to give the block complexity.
I might pick up a few new oranges and grays tomorrow at Quilt Festival. Rumor has it they sell fabric there. :)